Ancient Enemy Dev Diary #2

We are really delighted to be working with artist Jen Pattison on Ancient Enemy. This week in our dev diary Jen shares a bit about the art development and progress:

A world in tatters
The overall visual design of the characters in Ancient Enemy is intended to follow the theme of the story that the world has seen a lot of conflict and everyone has mostly been left in tatters as a result, one way or another.

That manifests in scruffy or damaged clothes; armour rusted, bloomed, or falling off; fungal growths; and in some cases people just being stitched back together to join the fight again.

Here are a couple of poses for an enemy bandit character:

All the human characters are not quite human anymore, and the bandits are maybe the simplest expression of that by not having faces, just empty dark hoods like wraiths, but otherwise displaying the physically fit body type you might expect from their lifestyle.

Warped nature
The Boarstool, on the other hand, is an example of warped nature, partly grown over and partly altered in fundamentals to be somewhere in the middle of plant and animal.

We did a few iterations to get him a bit meaner and a bit more gross along the way, altering his expression and giving him a rotting leg.

I also tried out a number of palette options for him, as some colours that could read as toxic/poisonous were also quite friendly/cute fantasy in tone.

Ultimately we decided to have different colours of Boarstool in different areas of the game to add to the variety and to fit in with the mood of the zones where they appear.

The aim for the characters’ stances was to create something dynamic and illustrative, within the limitations of the card based UI, which has taken a lot of back and forth to get right but it’s the sort of thing that’s very satisfying to work on as a team when it all finally comes together.

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